"He is the pride of New Orleans, a visionistical down-home cat and a hellified piano plunker to boot..." Dr John


Check out the New Orleans Social Club CD
"Sing Me Back Home", out on April 4, 2006
Pictured above, the New Orleans Social Club
Leo Nocentelli, Raymond Weber, Henry, George Porter Jr and Ivan Neville

Click here to see Henry's recent photographic exhibit at the Jonathan Ferrara Gallery and a video interview with
Henry and Herman Leonard about his photography
Additional Henry Photos here
Click to read the AP Wire services article about the exhibit

A five-time W.C. Handy “Best Blues Instrumentalist - Piano” award nominee, Henry Butler knows no limitations. Although blinded by glaucoma since birth, Butler is also a world class photographer with his work displayed at exhibitions throughout the United States. Playing piano since the age of six, Butler is a master of musical diversity. Combining the percussive jazz piano playing of McCoy Tyner and the New Orleans style playing of Professor Longhair through his classically-trained wizardry, Butler continues to craft a sound uniquely his own. A rich amalgam of jazz, Caribbean, classical, pop, R&B and blues influences, his music is as excitingly eclectic as that of his New Orleans birthplace.

Mastering baritone horn, valve trombone and drums, in addition to the piano, at the Louisiana State School for the Blind in Baton Rouge, as a youngster, Butler began formal vocal training in the eleventh grade. He went on to sing German lieder, French and Italian art songs and operatic arias at Southern and Michigan State Universities, earning a Masters degree in vocal music. He has taught music workshops throughout the country and initiated a number of different educational projects, including a residential jazz camp at Missouri State School for the Blind and a program for blind and visually impaired students at the University of New Orleans.

Mentored by influential jazz clarinetist and Michigan University teacher Alvin Batiste, Butler was encouraged to explore Brazilian, Afro-Cuban and other Caribbean music. With Batiste’s help, he successfully applied for National Endowment for the Arts grants to study with keyboard players George Duke, then with Cannonball Adderly’s Quintet, and the late Sir Roland Hanna. He studied with Harold Mabern, pianist for the late Lee Morgan, for a summer and spent a long afternoon studying with Professor Longhair.

While his early albums were jazz trio recordings featuring such top-notch instrumentalists as Charlie Haden and Billy Higgins, on “Fivin’ Around” in 1986, and Ron Carter and Jack DeJohnette, on “The Village” two years later, Butler has increasingly turned to New Orleans music and the blues. His 1990 album, “Orleans Inspiration”, recorded with Leo Nocentelli of the Meters, was followed by “Blues And More” in 1992. Although he briefly returned to jazz with “For All Seasons” in 1996, he’s remained immersed in a variety of genres since releasing “Blues After Sunset” in 1998.

Collaborating with Corey Harris on a duo album, “Vu-du Menz”, in 2000, Butler spent the next three years touring with the Delta blues-influenced guitarist/vocalist. That fascination with the blues has continued to be reflected in his solo work. After releasing a power-packed, all electric, blues-rock, album, “The Game Has Just Begun”, in 2002 on the New Orleans based indie label Basin Street Records, Butler takes things even deeper with his latest outing on that label, “Homeland”, released in April 2004. “This album is a real turning point,” he said. “It was the first time that I’ve brought a blues and R&B band into the studio with me. On this record, I’m feeling closer to my roots.”

Henry endorsed by Baldwin Pianos!

We are pleased to announce Henry's association with Baldwin Pianos, part of the Gibson family. Henry is pictured below with Henry Juszkiewicz, CEO of Gibson, at the Re-opening of Preservation Hall. Gibson/Baldwin donated a piano to the legendary club, and Henry was the first to play it.